|
|
||
|
CRYPTOGRAMME Everything from the destruction of form to dismantlement of fine arts, an artwork is like a code of seen and unseen. It is an artist¡¯s privilege to draw a tree unlike a tree. Leaves drawn like hair or sharp pillars, rather than the delicate expression of each form, give the audience unexplainable catharsis. How do you enjoy your artwork? Is it like a smooth canvas surface or fine reflection of a tree? Painting a tree unlike a tree might be something you might expect from an artist.Say, doesn¡¯t that unrealistic blue tree make you smile ear to ear?If it is hyperrealism you want, do not stand before the paintings, do not take pictures, just open the door and stand beneath the tree you love. There, you will find the codes that tell time and tide.The patience is needed for an artist to paint, using the two sharpest lenses there ever exist, the tree exactly as it is. However, all these work is useless when filtered by the brain. Many will be astonished at the detail, but the astonishment is nothing more than a biological reaction to what seems impossible. Of course, the purpose of hyperrealism is to shock the audience with its reality. The hyperrealism codes a fiction by making it super real, so the work also cannot be said unproductive.Contrary to hyperrealism, the work of an artist that takes the simplest form sometimes finds rather degrading reaction. However, if you dare to say, ¡°that is something that I can do¡±, the artist will draw super realism that will make your mouth shut. What you need to bear in mind is everything from letters to the smallest splatter that seem crooked and unskillful is thoroughly planed by the artist.The artist¡¯s code is like a black piece of paper that is filled with sister¡¯s pretty mole that he wants her to keep. This meticulously planned lies is not drawn with eyes.Do not be mistaken. His painting is not to make you think but to show what he thinks. Anyone can mimic life but nobody can create life.No artist can create a tree. In your sick bed, if you miss the tree you love, I would rather root up the tree and plant it near you than draw the last leave on the wall. The codes you see here are neither for you to break nor the answer to my work. Like you water the tree, codes are water to the artist¡¯s work. I want my painting to be a dear tree to you, just a pleasant background to enjoy as you take a stroll along the road.All forms of art, paintings, music, dance must be like this.Your life which you will never find answer to must be like this.We were born without an answer, continue to struggle to find answer to who we are without even knowing who you are, and die without an answer.Just like my paintings before your innocent eyes. (2007.Moon,hyeong-tae) ----------------------------------------------------------------------------------------------------
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
a biographical introduction Moon,hyeong-tae (1976.12.3.4' male) (Graduated from Chosun UV / westen painting) master@synkretismos.com / 010.4553.9818
Solo Exhibition - 2009.01 Intermission SUPEX Hall ,KAIST / Seoul - 2008.11 Intermission Say Gallery / Seoul - 2008.08 Drive TOPOHAUS / Seoul - 2008.06 Somniloquy - Objects Exhibition / Seoul - 2008.03 Love is lonely struggle Part 2 Gallery Mac / Busan - 2008.02 Love is lonely struggle 'Encore' TOPOHAUS / Seoul - 2008.01 Love is lonely struggle TOPOHAUS / Seoul - 2007.05 PlayGround N-Space / Seoul - 2002.09 ÀξîÀÇ ¾ð¾î¸¦ ¹è¿ì´Ù ChoSun UV Museum / KwangJu
Group,Contest & Art fair
- 2008.9 ºÎ»êºñ¿£³¯·¹ °¶·¯¸®Æä½ºÆ¼¹ú Âü°¡Àü - ¸ÆÈ¶û 6ÀÎÀü (¸ÆÈ¶û . ºÎ»ê) - 2008.6 SOAF ¼¿ï¿ÀÇÂ¾ÆÆ®Æä¾î (COEX . ¼¿ï) - 2008.6 2008 ¾ÆÆ®´ë±¸¾ÆÆ®Æä¾î (EXCO . ´ë±¸) - 2008.6 ÇູÇÑ ±×¸²Àü (¸ÆÈ¶û . ºÎ»ê) - 2008.3 ÅäÆ÷ÇϿ콺 3ÁÖ³â±â³äÀü 2008.2.13~ 2.25 (ÅäÆ÷ÇϿ콺 . ¼¿ï) - 2002. ¹Ì¼ú¼¼°è´ë»óÀü(¾È»ê²É¹Ú¶÷ȸÀå) - 2002. ±¤ÁÖ±¤¿ª½ÃÀü (ºñ¿£³¯·¹Àü½Ã½Ç . ±¤ÁÖ) - 2002. ´ºÇÁ·ÐƼ¾îÀü (¼¿ï½Ã¸³¹Ì¼ú°ü) - 2002. ¹«µî¹Ì¼ú´ëÀü(±¤Áֽø³¹Ì¼ú°ü) - 2000. ¹Ì¼ú¼¼°è´ë»óÀü (¼¿ï ½Ã¸³¹Ì¼ú°ü) - 2000. ´ëÇѹα¹ ȸȴëÀü (°úõ±¹¸³Çö´ë¹Ì¼ú°ü) - 2000. ºñ½Ã¸í°æÀü (Á¶¼±´ëÇб³ ¹Ì¼ú°ü) - 1999. ºñ»ó±¸Àü(±Ãµ¿°¶·¯¸®) - 1998. »ç°í ±× »õ·Î¿î Àüȯ°ú È®»êÀü(Á¶¼±´ëÇб³¹Ì¼ú°ü)
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Article - Çì·²µå°æÁ¦, ¼¼°èÀϺ¸, ´º½Ã½º, ¼¿ï°æÁ¦, °æÇâ½Å¹®, ¹®ÈÀϺ¸, ¿¬ÇÕ´º½º, ±¹¹ÎÀϺ¸, ÇѰܷ¹, µ¿¾ÆÀϺ¸, ºÎ»êÀϺ¸, Çѱ¹°æÁ¦, KBS¼¼»óÀÇ ¾ÆÄ§, VJ¼¼»ó¼ÓÀ¸·Î, ¿ù°£µðÀÚÀÎ, ¾ÆÀÌ·¯ºêij¸¯ÅÍ, ¿ù°£ÀÏ·¯½ºÆ®, ·¹Á¾, ½Åµð´õÆÛŰ, Á¤±ÛµðÀÚÀÎ , º¸±×°É, Ç®·Î¿«Àº Áý µî ÀÛ°¡¼Ò°³
Career
- ÀÛ°î°¡±×·ì MusicMountÀ¥½ÎÀÌÆ®°³¹ß / ¹ÂÁ÷¸¶¿îÆ® 2 .3Áý [»ç¶ûÀº ¿Ü·Î¿î ÅõÀï] ¾Ù¹üµðÀÚÀÎ ¹Ð ºñÁê¾óÆÄÆ®´ã´ç - ¿µÈ (¾ð´Ï°¡°£´Ù)¼ÒǰÇùÂù / ¿µÈ (½ÎÀ̺¸±×Áö¸¸ ±¦Âú¾Æ)¼ÒǰÇùÂù / Á¦ÀÎ Á¤ Æ®·£Ä« ÀÚÀü¼Ò¼³ ±×¸²ÀÛ¾÷ - ¿ÀÁöÃÑ 2nd ¾Ù¹ü Directed / ozzychong.com À¥½ÎÀÌÆ®Á¦ÀÛ / ±èÀåÈÆ 8Áý <Á¶°¢> ½ºÆä¼È ¾Ù¹ü Á¦ÀÛ - I GB COMMUNICATION ½Å±Ô M3000 PMP(ƼÁ®) À¥½ÎÀÌÆ® Á¦ÀÛ / È«º¸¿ë À¥½ÎÀÌÆ® ±âȹ ¹× °³¹ß - KT ÆÄ¶õ´åÄÄ Æ¼Àú½ÎÀÌÆ® È«º¸¿ë ¼ÒǰÁ¦ÀÛ /±×·ì [½ÅÈ] ¹ÂÁ÷ºñµð¿À¼ÒǰÇùÂù/ KBSÇù·Â µµÀü°ñµçº§ °ÔÀÓ½ÎÀÌÆ® µðÀÚÀÎ - B-ON-D ¾Ù¹üCD BOOK µðÀÚÀÎ / »þÇÁÀüÀÚ ¹× °ü·Ã¼öÃâ¾÷ü ±â±â ³» CDºÏ Æ÷ÇÔ
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
|
||
|
|
||
|
|
||
![]()


![]()
![]()